Me, personally, I'm less interested in the profit aspect of this (though it's all good to aim at making things more fair) but I'm fascinated more by the possibilities it opens for making everchanging content that is different in different contexts. That opens so many creative and critical possibilities. It could raise context awareness, being like a inverse mirror/metaphor for our personalized spaces on social media.
Last night then, I experienced a real flash of fear turning my stomach when I saw Björn Höcke (AfD) given a platform to display his far right propaganda on Germany's most-watched talk show, Jauch. The reach! Knowing how many of his followers out at the screens cheering him. Höcke even pulled out a little german flag as nationalist power gesture, bragging about his deep love for his country. Could only have been more dramatic/ridiculous if he had pulled it from his trouser fly.
Anti-intellectual media criticism in Germany as a longing for authentic truth. At its root might be things like the shattering of objectivism by social media use as well as the experience of GDR state-controlled media.
eve massacre mix - beats, bass music, grime, future hiphop, juke, noise, emotronica
"We're all prostitutes" The Pop Group Eigentlich wollte ich noch einen ausführlichen Blogpost dazu schreiben, warum ich den Erlös der ORCHID Party diesen Samstag, 1.8.16 im Zentralcafé, an Kassandra e.V. spenden möchte, aber die Zeit rennt mir mit Party-Vorbereitungen und Musik aussuchen davon, also nur die Kurzfassung: Aus dem konservativen Lager wird in den letzten…
I have made new flyer artwork:
What we see now that the dust has settled is a project Europe that stands for a system of economic nationalism, ruled by its financial elite, ruled through fear and bullying, keeping its weakest members weak by default. Europe - it's time to be afraid of Germany again.
We need as many choices for ephemerality in our digital communication tools as we already have got for scalable sociality.
Does the rise of amateurs thanks to social platforms tear down old privileged networks? How do we judge value if we tear down special statuses?
Some thoughts on how photography as documentation and art has changed through social media.