“Deep down you may still be that same great kid you used to be. But it’s not who you are underneath, it’s what you do that defines you.” Batman Begins
Here’s my playlist of last week’s Castrop on Radio Z:
Sunshine: Top! Top! The Radio (They used to be one of my most favourite livebands back in the ’00s and we’ve put up quite a few shows for them at the K4 and with my old band, The Flamingo Massacres, we played with them lots of times in other towns and they gave us a place to stay in Prague when we once drove there to visit De Facto or Mars Volta. I lost contact and was surprised to hear they have a new record and are quite big in Czech Republic.)
Parts & Labor: Nowhere’s Nigh (They have an excellent new album out called ‘Receivers’. It’s a bit less in-your-face-energetic but not less intense. They are really good at bridging from hymnic melodies to experimental noisy indie. I’m glad we can welcome them again live at the K4 on the 3rd of February, thanks to Tobi.)
Cloud Cult: May Your Hearts Stay Strong (nice experimental Songwriter/Indie with electronics thrown in, they are from Minnesota)
Balkansky: Hipnoza (who says quality dubstep has to come from the UK? This ravey dubstep tune got stuck in my head and the guy who also has released DnB under the moniker of Cooh comes from Bulgaria AFAIK)
Pigeon Funk: Not Gonna (funky sample-sparked project by Sutekh and Kit Clayton. They have their second album out and it sounds as if they had a lot of fun producing it. Not very danceable but fun.)
Edie Sedgwick: Sissy Spacek (Justin Moyer, former member of the wonderful Supersystem, also has his second album out under this name, produced by Ian McKaye BTW. Moyer hasn’t only picked a woman’s alias but live he slips into that persona by dragging up to play that ass-kicking postpunk.)
The Hold Steady: Joke About Jamaica (For quite a while to me The Hold Steady have only been ‘the band for which that Lifter Puller singer guy has stolen Franz Nicolay from World/Inferno Friendship Society‘ and ‘the band with that Lifter Puller guitar player who had played on the Song Of Zarathustra’s (one of my favourite ‘screamo’ bands e.v.e.r.) final tour here in Europe and rumors had it that his presence hadn’t exactly kept the band from splitting up‘. Those two things made me decide not not to like and listen to The Hold Steady. Thatof course was quite silly because obviously it didn’t matter to them and because it robbed me of some great story teller indie rock which I knew it had to be because I had already liked Lifter Puller a lot. Now, four albums later, I gave in. Yes, they are good at what they do. Mucho good even. And here’s a nice interview with Franz.
Fuck Buttons: Colours Move (‘Load Records drone noise gone pop (if that’s possible)” was my first association and I stick with it and love it. Haven’t heard a whole album though.)
Margarita: Parque Magico (great twisted hi-energy indiepunk from Madrid I instantly enjoyed and after having found out that we have even kind of met before and that they come on tour with the band below I simply had to convince the musikverein to let me put up a show for them in april. Don’t miss them, please!)
Grabba Grabba Tape: Dr. Grox Gronix (electronic duo somewhere between casio-chiptune-core and Daft Punk, erm – sorry: Dat Politics! One of the guys is the maker of Gsssh!Gsssh! Records who have an excellent taste in experimental music and super-chic colourful artwork and packaging.).
Love Of Everything: Drive Through Rainbow (beautiful fragile indie songwriter stuff with that certain weird edge that reminds you that it’s the band of Bobby Burg of Joan Of Arc and Make Believe fame. Thanks to Quirin they will play in Nuremberg in May. Hooray. I like this song a lot because it develops so slowly from sweet guitar plingplong to noisy distorted parts at the end.)
Herman Dune: When We Were Still Friends (I can’t think of Herman Dune without thinking of Jean Reno in ‘Leon’ because of that one time when they played with one or two anti-folk bands in the K4 garden and one of the Dune brothers was such a lookalike I couldn’t stop watching him. They have made an album with some tropical sounds in it and it fits them well although I stick to it: They only develop their full power when watched live.)
Stanley Brinks: Pease Pottage (This is one of the brothers gone solo in Berlin. Tsk, that town doesn’t even stop at splitting bands. I like his solo stuff better than the new Herman Dune stuff because he’s got that certain weirdness that gives songwriter music charisma.)
* _ *
I’m still being kept down by a cold that has already started more than a week ago. My right ear has been blocked since xmas night which keeps me from enjoying music as I can hear hardly anything but a low-frequency rumble on that side. My throat/tonsils seem(s) to ache more every day. I’m getting a bit impatient with getting well. Especially as I’ve been a nice kiddo inhaling salty herbs steam and drink lots of tea and took at least 5 capsules of Gelomyrtol a day, and I have only smoked on two occasions.
The good thing about colds that make your head so fuzzy you can hardly concentrate on reading or anything else is that it’s the perfect time to watch movies. Entertaining make-the-world-go-away movies. That’s what I have mainly been doing the last couple of days: Children Of Men, Harry Potter and The Order Of The Phoenix, Stardust (starring unicorns! yeah!), PS I Love You, Solstorm (Sunstorm), Batman Begins, even half of Titanic and Leon for the x-ths time and:
The Next Doctor. The Dr. Who christmas special sadly wasn’t as good as I had hoped it to be but good enough to soothe the withdrawal symptoms. I think the new season won’t start before april. A shame. Last year’s christmas special also wasn’t exactly brilliant but at least it had the glamorous appearance and death of Kylie Minogue and angel robots and a Titanic space cruiser being hit by meteors and almost colliding with the Earth. This year’s xmas episode had lots of cross-references and I think that’s why it seemed it a bit cluttered and left me with a feeling of missing explanations and a lack of surprise twists. What I still don’t get is why Mercy, a woman having been promised liberation by the cybermen when joining them, turns into a Cyberking and not a Cyberqueen, and we also don’t get told what she had wanted to be liberated from. Could have been a little less cryptic here.
I have really enjoyed watching Batman Begins. First it felt a bit strange to see the slick Bateman actor as Batman but seeing Bruce Wayne being introduced as such an excentric arrogant rich guy type who else would fit that role better than the American Psycho. A very subjective flaw: I can’t stand the sight of Katie Holmes anymore after all that Cruise/Scientology press. Putting that aside it was a wonderfully dark adventure movie that keeps a fine balance between telling a character-developping story, action scenes and very aesthetic scenery and costumes. More than other Batmann movies this one seems to stress that he is a human super hero without supernatural powers but only special gear. (Somehow I expected Morgan Freeman to come up with some 007-Q jokes when he introduced the gear.)
The gap between the part of Gotham City with the asylum and where the poor people live and the rich people’s part of the town brought Land Of The Dead to my mind. I think the subject of class should maybe better have been left alone in Batman Begins. Romero’s zombies are less deindividualised and more capable of taking any kind of action for the better than the poor people of Gotham: they stay just faceless victims or mad villains and only the people who live on the rich side of town have faces and the power to act. Zombified. But maybe that’s overinterpreting the movie. What really would be going too far is when I would start now on how I compared the scenes down the wellshaft with those in Murakami’s ‘Wind-up Bird Chronicles’, haha. I’ll spare you that and get back to tea and another movie instead.